Some Do Not … by Ford Madox Ford (story read aloud txt) 📕
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Some Do Not … opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield.
The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he’s concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn’t free of a thread of hypocrisy: he won’t leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war?
The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character’s subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality.
The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford’s portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy—called Parade’s End—has garnered praise from critics and authors alike, with Anthony Burgess calling it “the finest novel about the First World War” and William Carlos Williams stating that the novels “constitute the English prose masterpiece of their time.”
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- Author: Ford Madox Ford
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To Tietjens all this meant effort. Here was a woman who, a few years ago, was penniless, in the most miserable of circumstances, supporting life with the most exiguous of all implements. What effort hadn’t it meant! and what effort didn’t it mean? There was a boy at Eton … a senseless, but a gallant effort.
Mrs. Wannop sat opposite him in the other grandfather’s chair; an admirable hostess, an admirable lady. Full of spirit in dashes; but tired. As an old horse is tired that, taking three men to harness it in the stable yard, starts out like a stallion, but soon drops to a jog-trot. The face tired, really; scarlet-cheeked with the good air, but seamed downward. She could sit there at ease, the plump hands covered with a black lace shawl, and descending on each side of her lap, as much at ease as any other Victorian great lady. But at lunch she had let drop that she had written for eight hours every day for the last four years—till that day—without missing a day. Today being Saturday, she had no leader to write:
“And, my darling boy,” she had said to him. “I’m giving it to you. I’d give it to no other soul but your father’s son. Not even to …” And she had named the name that she most respected. “And that’s the truth,” she had added. Nevertheless, even over lunch, she had fallen into abstractions, heavily and deeply, and made fantastic misstatements, mostly about public affairs. … It all meant a tremendous record. …
And there he sat, his coffee and port on a little table beside him; the house belonging to him. …
She said:
“My dearest boy … you’ve so much to do. Do you think you ought really to drive the girls to Plimsoll tonight? They’re young and inconsiderate; work comes first.”
Tietjens said:
“It isn’t the distance …”
“You’ll find that it is,” she answered humorously. “It’s twenty miles beyond Tenterden. If you don’t start till ten when the moon sets, you won’t be back till five, even if you’ve no accidents. … The horse is all right, though …”
Tietjens said:
“Mrs. Wannop, I ought to tell you that your daughter and I are being talked about. Uglily!”
She turned her head to him; rather stiffly. But she was only coming out of an abstraction.
“Eh?” she said, and then: “Oh! About the golf-links episode. … It must have looked suspicious. I daresay you made a fuss, too, with the police, to head them off her.” She remained pondering for a moment, heavily, like an old pope:
“Oh, you’ll live it down,” she said.
“I ought to tell you,” he persisted, “that it’s more serious than you think. I fancy I ought not to be here.”
“Not here!” she exclaimed. “Why, where else in the world should you be? You don’t get on with your wife; I know. She’s a regular wrong ’un. Who else could look after you as well as Valentine and I?”
In the acuteness of that pang, for, after all, Tietjens cared more for his wife’s reputation than for any other factor in a complicated world, Tietjens asked rather sharply why Mrs. Wannop had called Sylvia a wrong ’un. She said in rather a protesting, sleepy way:
“My dear boy, nothing! I’ve guessed that there are differences between you; give me credit for some perception. Then, as you’re perfectly obviously a right ’un, she must be a wrong ’un. That’s all, I assure you.”
In his relief Tietjens’ obstinacy revived. He liked this house; he liked this atmosphere; he liked the frugality, the choice of furniture, the way the light fell from window to window; the weariness after hard work; the affection of mother and daughter; the affection, indeed, that they both had for himself, and he was determined, if he could help it, not to damage the reputation of the daughter of the house.
Decent men, he held, don’t do such things, and he recounted with some care the heads of the conversation he had had with General Campion in the dressing-room. He seemed to see the cracked washbowls in their scrubbed oak settings. Mrs. Wannop’s face seemed to grow greyer, more aquiline; a little resentful! She nodded from time to time; either to denote attention or else in sheer drowsiness:
“My dear boy,” she said at last, “it’s pretty damnable to have such things said about you. I can see that. But I seem to have lived in a bath of scandal all my life. Every woman who has reached my age has that feeling. … Now it doesn’t seem to matter …” She really nodded nearly off: then she started. “I don’t see … I really don’t see how I can help you as to your reputation. I’d do it if I could: believe me. … But I’ve other things to think of. … I’ve this house to keep going and the children to keep fed and at school. I can’t give all the thought I ought to to other people’s troubles. …”
She started into wakefulness and right out of her chair.
“But what a beast I am!” she said, with a sudden intonation that was exactly that of her daughter; and, drifting with a Victorian majesty of shawl and long skirt behind Tietjens’ high-backed chair, she leaned over it and stroked the hair on his right temple:
“My dear boy,” she said. “Life’s a bitter thing. I’m an old novelist and know it. There you are working yourself to death to save the nation with a wilderness of cats and monkeys howling and squalling your personal reputation away. … It was Dizzy himself said these words to me at one of our receptions. ‘Here I am, Mrs. Wannop,’ he said. … And …” She drifted for a moment. But she made another effort: “My dear boy,” she whispered, bending down her head to get it near his ear: “My dear
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